A passenger from the childhood house
The sheen on things under blue
and the cool acreage of canary
light has not a hint of crimson
till you drive me home
with the idea of sky over the bay.
Save tomorrow, the poster says,
from things that eat organs, things
that multiply in vessels, cells
skimming the venous and arterial
roads. (The careful knife
under the skin prises, cleaving
the old idea and the good)
Nanna can smell the rain
coming; she scents the hunger
of the soil. When my surfaces are raw
and ragged, like a tree shedding,
I wander in memory. The past
tastes bitter and lovely
(don't stitch me up too soon)
the flame tree blooms
blood in the childhood yard.
A mask slips. Forgiveness
is neither random nor chosen.
New rain yaps on the roof,
the wipers scatter recollection,
intermittent with the light. Grace
throws itself into my lap
and licks my face. When it lands
on me, what can I do but laugh
at once wary and delighted.
What is a soul?
A soul quivers
in the palm of your
voice, is still when
a sparrow alights
outside. In the winter
sun a soul
twitches neck and
head, neck
buried in the pulse
of a round & thinking
flesh. Like any feathered
thing in its space
it does not try
to be noticed. A soul
pauses to witness
a magpie. Its body
is a lever, its
beak a chisel,
prising bark from the trunk
of a myrtle. On the sky
a soul writes
itself. Winter
tosses a gauze
across the single crescent
jewel that fades
into day, watermark
of the fingernail that
lifted a scab. Then
the soul is a prayer
may a great
white egret
lance your skies.
Blue
Blue fades last. A parting
turquoise flush on the leaves of paperbark.
Indigo strengthens and silhouettes resolve
where the lucid becomes the deep. A newsprint
hue folds the walker into dusk
but night fakes it — the stars are shy
above
the extraversion of the city.
Anne Elvey's poems have appeared in journals including Blue Dog, Cordite, Island and Westerly and in The Best Australian Poems 2009 (Black Inc.). Her first chapbook Stolen Heath was published by Melbourne Poets Union in 2009.