Selected poems
In the back of this poem
there’s a dog,
not a kelpie, balancing,
but a fat Staffie, snuffling.
The poem goes fast around corners.
It picks up words and slings them
into the back (move over fattie!)
There’s room in the front for two,
but it’s better when the poem drives itself,
not Tesla-y, but with its own unseen hands.
It grips the wheel, at 10 and 2.
Red as any riding-hood, red as pox,
this poem revs its V8, musically,
and sometimes even plays its horn.
A utility poem, it can do all sorts.
Climb in the tray (move over fattie!)
lie down snug, lest there be cops,
and it’ll take you out, out for a spin,
far from any pastoral routes,
into the clustered streets
and through slim, light volumes of thought
The edge of empty
2050 A.D.
The last of his kind is the
last to feel the bark loofah
rubbing paws as he mounts up,
tasting tangy eucalyptus —
muted green contrasting
with the epic blast of taste
his rotund kind have eaten
twenty-five million years or so.
Our eighteenth mega fire got them all,
we think, except for this old one,
clinging on, climbing his zoo-tree,
dozing half his life, unaware
of the idea of finality.
Lonely, perhaps, but not with dread
leaden knowledge, which crawls into
our minds quicker than any koala.
Yes, we search and search,
tell ourselves how large the land,
hoping for another, hoping that it
is a she, so just possibly, one more
pouch might hold marsupial glee —
that there may be more than this he,
slumbering towards extinction.
Ten million dollars should another
climb the tree as well, render idiocy
just a little more bearable,
and line the pockets of the finder.
But for now, one tree, one beast,
and the word last, tying precarious
now to an empty, sullen future.
Will gum trees soon be unburdened
with soft grey clouds, sleeping?
The eclectus parrot
Eclectus roratus
The female is mostly red,
a painted nail crimson,
the male a fervent green.
That the female is gaudier
has caused experts experty angst.
Bird-males tend to strut their stuff;
the packed anthologies of peacock tail,
the male rifle-bird shooting glory,
even the head-bobbing boy pigeon,
amongst pie-crusts, sauce and chips.
Female eclectus flicked through mags,
haute couture, noted women glowing,
and said I'll have a bit of that!
She spread colour over herself
lipstick bright, with epaulettes
and coverts of purple and blue;
Napoleon to her own self
in beauty’s glorious army.
The male’s piping green would normally
stop ships, loose nets, drop jaws,
but next to her, he seems so plain.
He has shifted the burden of flamboyance.
He relishes the peculiar freedom
of the male being overlooked —
that rarest dimorphic joy.
PS Cottier lives in Canberra. She reviews