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ARTS AND CULTURE

The birds I can't quite like

  • 25 August 2009

Red-capped plover At Barwon Heads That one red-cap on the shore's silver, its smallness set against so much vastness, stayed focal long after its quick flight defeated my eyes and it vanished through a pinpoint high above the mouth, marrying lightness with light.

Nearby, in nest-scrapes under the cliffs, red-caps raise their young, ready to draw off dogs or marauding birds by miming a wounded wing. Although, in my field guide, the map of Australia is dark with them, in this place they're threatened. I imagine dots of space appearing, spreading over that blackness — here, then there, and there ...

Birds at dawn I read through the small hours, mantled by white noise as, beyond the town, waves peak, curl down: we are both turning pages, the sea and I. At first light, a stroll in billowy air to where the deeps push up towards flight. A fulmar, a kelp gull, scan slopes bursting with egret plumes.

Other birds manifest as collectives: at the river, a profile of pelicans, a sculpture park of herons; far above, a skirl of swifts, parabolas of terns. Dream light is tinctured primrose, dahlia-pink. My hand lifts to block the gold colophon, the seed-packed centre of the flower. The sea's breath, at once exhaled, inhaled, is a mist of sound.

Late summer Each morning a new cosmography: between islands, silver or camel-coloured, weed-dark straits, improvised pools and lakes. Everywhere, prescience and farewell: summer's light colliding with the light of autumn. On the mud-flat, the birds forage calmly — but for that gull worrying at a fish, pewter and black-backed, the size of its head: a trophy, a bugbear. It is pierced, grappled with, thrashed again and again on sun-filmed sand: a manic chef at work over a skillet. Head jerking back, the drama of gulp, regurgitation — till a challenger screams; wings erupt; the bounty falls from the sky.

Silver gulls The birds I can't quite like, that symbolise cold self-intent, greed, the scalding primal writ small: drama queens and morsel-pirates at odds after the picnic — scraps about scraps. So populous they seem mundane, theirs is a median beauty. Contrasts show in tail spots, white boiled-lolly eyes — and leg stumps, the torn wing that heals indifference.

At their best, afloat in anodyne lulls, neat as paper boats — or, of course, in air: wing beats thrumming with the solemn verve of a baton. What music do they hear? None but their own, that of the winds and of the switchback sea: their map of life.

White skies Those lucent plains, stark yet uplifting, call me back from shock, ordeal.