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Edward Cole understood that books encouraged community. The businessman could rub shoulders with the tramp in his Arcade. Now, in an age of division and isolation, more than ever we need spaces which facilitate community; light-filled cathedrals dedicated to the love of knowledge and stories, and their power to cross borders, politically, ideologically and culturally.
Is resurrection the ‘theme’ of 2022? Politicians want to resurrect the fortunes of CBD cafes, film studios are resurrecting old movie franchises, and we’re all doing our best to revive flagging spirits after two years (at least?) of bad news. And here we are at Easter weekend, the resurrection story: Jesus crucified and buried on Good Friday, raised from the dead come Easter Sunday.
The country’s most recent conflict — ongoing skirmishes with Russian-backed separatists in Crimea, Luhansk and Donetsk, just 230km east of here — had been memorialised at an open-air exhibition: a latticework of bronze flowers had been superimposed upon an ambulance wrecked in battle; bullet-ridden place names from affected villages were lined up like a column of condemned POWs.
A house bursts into flames as it’s submerged in floodwaters. A doctor tells a cameraman filming a dying Ukrainian child to send the footage to Putin. A newspaper delves into the murder of a young woman. It’s like a fever dream: a pandemic bleeds into the edges of a global war. The news presents information, and it has no moral duty to tell us how we should feel about it or help us untangle the knot of feelings which emerge.
Beyond, the Hampstead houses / dipped their heads in the water / and drank long and slow / as if in companionship. At last the pond darkened / beneath evening clouds / And we rose to go, / Leaving behind the precious crumbs / The birds had waited all day for.
One of the most memorable scenes in Russian literature relates the thoughts of a man lying on the ground staring at the sky in the middle of a major European battle. Prince Andrei Bolkonsky is wounded. He is placed in a situation where, instead of running, fighting, and thinking every moment might be his last, he is suddenly met with silence, grandeur, tranquillity.
There continues / right NOW / to be / an iconic presencing / to a slow —- light-bright / Saturday Morning. Bread / with locally-crafted / marmalade. Knife licked / with a subtle delight / Such a delicate art this!
Kermit the Frog, of enduring Muppets and Sesame Street fame, was always a favourite with my children and me: he was so amusing and appealing, and also had a way of unobtrusively communicating simple goodness along with the occasional moral message. He was also concerned with the most important matter of the self, so that in his most famous song he puts a positive spin on the matter of greenness, the colour of envy and jealousy.
Fellow traveller, I urge you / do not simply skirt the margins: / stride out across the machair, touch / freedom’s fruitful fabric. / By all means mosey / around the material: But, / for the love of God, always / digress, digress, digress.
Did you make the annual obeisance to St Valentine’s Day traditions [read purchases] on the 14th? Last year, Australians were projected to spend $1.1 billion on Valentine’s Day gifts as St Valentine’s Day was lauded and backed by marketers, glamorising Romantic ardour and infatuation, glorious, all-consuming passion, and a thirst for intimacy and transcendence.
Philip Harvey has been poetry editor of Eureka Street since its early days. Now he has decided that it is time for him to step down from his position in favour of a younger editor. I appreciate the thoughtfulness and generosity of his decision though I feel deeply his loss to us. And I am grateful to him all that he has given to Eureka Street of his skills and of himself, all on an almost honorary basis.
American novelist Jonathan Franzen has in his last three fictional works taken words that loom large in the collective consciousness and built worlds around them. First, it was Freedom (2010), then Purity (2015), and now Crossroads (2021). The latter title, of course, refers to a literal and figurative decision-making moment, but also the mythic locale where blues singers, notably Robert Johnson, made their pacts with the devil.
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