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'Racism seems to make the news a lot,' notes Jacqueline Maley, for a country that according to Queensland LNP senator Ian Macdonald has either no or only isolated racism. The most vicious, blatant racial abuse I have experienced or witnessed has been on public transport. Every abuser has been white. Almost all are men.
For Japanese Australians, the connections with Australia's war-time history continues to be particularly fraught. Whether they are early or more recent migrants, Japanese Australians have many narratives and expressions of complex identities that are now gaining voice.
While no-one expects nuanced discussions on Twitter, the name-calling does none of the participants any favours. What does become apparent in the conversations around Clive Hamilton's The Silent Invasion is how entrenched 'yellow peril' rhetoric is in the way people talk about 'the Chinese'.
Huang's article 'What Australia gets wrong about Chinese New Year' caused an uproar, with many comments about the Mandarinisation of Chinese culture. I had a moment of pleasure imagining telling my mother that, according to this writer, she's doing Chinese New Year wrong. My mother has an excellent range of Cantonese epithets.
Does watching this ridiculously premised film full of obnoxious characters, complete with smatterings of Singlish, make me feel culturally represented? Yes. There are threads of cultural recognition in the Southeast Asian locations and the Chinese customs that resonate, as well as the cultural mobility of various characters.
It's easy to ridicule Hanson and her party. After all, they are our resident shambolic political show with a line of defecting MPs, racist stunts and statements, and staff arrests. What is not so easy to dismiss is the fact that PHON candidates were steadily clocking 20-30 per cent support in their seats at the Queensland election.
The bill ramps up the difficulty of becoming an Australian citizen, and one element depends on 'proof' of Australian values or integration that is open to contestation. Aside from the many critiques around definitions of Australian identities or values, does being able to say you're a good Australian mean you are a good Australian?
Our national population is more diverse than ever, particularly when it comes to those of Asian Australian heritage. Just how diverse is something we need to examine more closely if we are to develop a more inclusive, welcoming society.
There's storming the barricades, and there's storming the pixels. Critical race activism in the 21st century can take on fascinating forms. A great recent example of this is the destruction of Confederate monuments in the United States, and the debates and actions surrounding these events. They generated larger conversations about culture wars and re-ignited the cycle of argument around historical authenticity, heroism and - dare anyone say it these days? - truth.
The Melbourne Writers Festival (MWF) starts on Friday 25 August. It’s a good time to consider what such a festival says about our local cultures, as well as being a perfect time to think about how you relate to that culture.
The short answer is 'no'. There is no single Asian Australian culture, just as there is no single 'Australian culture'. As well as an unfortunate tendency to flatten differences, trying to talk about particular groups can serve a broader political and cultural project. I run a research network focused on Asian Australian Studies. The topics we cover strive to give depth and detail to otherwise stereotyped, shallow representations of Asians and Asian Australians that surround us.
I was told in grade nine I shouldn't bother trying out for the lead of our school play, The Wizard of Oz, because there's no way Dorothy would be Asian. Though I had no intention of trying out for the play, the fact that she told me not to bother made me arc up. The reason she gave - my incongruous Asianness - made me feel angry and ashamed. Angry because it was stupid and unfair. Ashamed because it felt somehow like it was my fault for not being white enough.
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