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There are more than 200 results, only the first 200 are displayed here.
I'm a white man in a white man's world, his mother tongue the lingua franca everywhere. I may not be rich, but I am more or less free, and my calling has let me travel the world. It's easy for me, not having had to fight for mine, to ask us to go deeper than identity when we write. But when James Baldwin says the same thing, it compels.
Robert Harris' The Gang of One ranges through Harris' five published books and a number of uncollected poems. Early work grows from his occasionally lonely, knockabout life and reveals not only a talent for catching the essence of fleeting memories and perceptions but also a mordant touch that gives edge to memory.
The fight for equality is an external, social, economic and political battlefield. Sometimes the fight is in our own heads, and we can internalise some of that misogyny. In between tearing each other down, putting dinner on and exercising some self-loathing while we're at it, how can one find the time to identify all of the ways a person can internalise the patriarchy?
As a celebratory anthem, Beethoven's 'Ode to Joy', was played, the Brexit MEPs, all 29 of them, turned their backs, thus insulting the Parliament, the young and talented musicians, and Beethoven himself. They clearly did not realise they were demeaning themselves by acting in this fashion.
Even when established historical queer figures get their own biopics, their queer relationships are often straightwashed, and cisgender straight people are put at the centre of the narrative. While queer fictional characters can make up some of this gap, historical narratives are important too.
For modern readers of Huizinga's The Autumn of the Middle Ages, there is a curious kind of double vision. While 21st century life has incomparably eclipsed medieval counterparts, there are aspects of the comparison that remain at least intriguing and, in some cases, enlightening.
The work that's held my undivided heart now hangs upon the lip of the inane, a path I've struck, unwinding meaning's ball, or else a futile tangle, every day more lost to telos, purpose and design. No one else seems to have passed this way.
I moved to the Land of Magic, found it full of mumbo-jumbo. I bounced to the Kingdom of Rhythm, too many ups and downs. I went eagerly to Warm-and-Fuzzy, soon bogged down in treacle. I trekked to the Republic of Religion, it was open only on Sundays.
No Friend But the Mountains deservedly won an Australian prize but was considered ineligible for others because the writer was not Australian. The book itself mocks that exclusion. Boochani's years on Manus Island branded him as Australian in the same way African slaves became American by the brand American owners burned on to them.
One trick used by those opposing the boycott of Eurovision is to describe Israeli colonialism as a 'conflict'. Instead of emphasising the importance of decolonisation, 'compromise' is celebrated. But compromise between the coloniser and the colonised is a dangerous political game.
When refugees write accounts of their lives they usually express gratitude to the nation that has received them. A Child Escapes, in which Francis Deng describes his life from Lost Boy of Sudan to refugee in Kenya to bank employee in Australia, is no exception. Left unsaid, but equally important, is the gift he and other immigrants are to Australia.
145-156 out of 200 results.