Welcome to Eureka Street
Looking for thought provoking articles?Subscribe to Eureka Street and join the conversation.
Passwords must be at least 8 characters, contain upper and lower case letters, and a numeric value.
Eureka Street uses the Stripe payment gateway to process payments. The terms and conditions upon which Stripe processes payments and their privacy policy are available here.
Please note: The 40-day free-trial subscription is a limited time offer and expires 31/3/24. Subscribers will have 40 days of free access to Eureka Street content from the date they subscribe. You can cancel your subscription within that 40-day period without charge. After the 40-day free trial subscription period is over, you will be debited the $90 annual subscription amount. Our terms and conditions of membership still apply.
Are women truly the villains that modern crime dramas portray them to be? Despite the sensationalised 'evil woman' trope, real-life statistics tell a different story. It’s a cruel irony that the way to really victimise a woman is to tell her that she is the perp when she really is overwhelmingly more likely to be the victim of violent crime.
Most soldiers don’t like to talk about what they’ve been through, the things they’ve had to see; the things they’ve had to do. Uncle George was more willing to talk as he got older and more willing to be coaxed by a crowd of adoring nieces. But there were some things he'd never say. And the war never went away from him.
Since Peter Dutton has reignited the appetite for the dream of unlimited energy from atom-splitting, we have to think about the risks again. Is it more dangerous to keep burning coal and gas and oil and boil the planet than to have a few Chernobyls or Windscales? How do we balance such risks?
What can you say when faced by another season of Bridgerton – that posing, poncing, irony-defying travesty of all history, literature and human relationships? Bridgerton took the Barbara Cartland romance/mild erotica ethos and dumbed it down to fifty shades of fluorescent polyester.
Two books about a 1942 massacre of Australian nurses were released last year. One is reliable, the other is notable for factual omissions. If we leave something out, are we then guilty of censorship? Alternatively, if our truth-telling offends someone else, what is our justification for so doing?
It’s becoming an age of Endarkenment. Was it ever thus? So many going mad with one half of the facts? Moved by ignorance and targeted misinformation, compassion becomes corrupted into a rage for vengeance, and our streets heave with mobs who chant hate. It’s made me worried and sad. But I won’t give up on Christmas.
Sixty years ago today, on November 22, 1963, the world lost three towering figures of the 20th century. On their diamond jubilee, do I think it was the end of the world as we know it when these three died? Each one shaped the twentieth century in a unique way. Each one left us with much to think about still.
Stone Yard Devotional is a chronicle of a huge problem in our time: the sense of futility in all our efforts to amend. Wood may make us think, because despair is a constant stalker of the bravest of warriors against the destruction of the planet and the chronic toll of human evil. When compassion becomes a disabling burden, who or what can help?
An intricate tale that delves deep into the realm of cults, deception, and the human psyche, The Running Grave goes beyond a mere detective yarn, with a narrative that confronts society's susceptibility to manipulation and questions the very fabric of our beliefs.
In Barbie, director Greta Gerwig maps out a journey from naive pink utopias to poignant real-world challenges. Drawing parallels from the 1960s Twiggy phenomenon to today's elusive ideals of feminine success, Gerwig's film becomes a mirror to our society's ever-shifting landscape of female identity and aspiration.
Navigating the labyrinthine world of James Joyce is a lifelong pursuit for some, and for Frances Devlin-Glass, it's a calling. From a chance encounter at a Bloomsday celebration to yearly seminars, her passion for Joyce has become a beacon for those eager to explore. But what is it about Joyce, and the global celebration of his work, that keeps readers coming back?
'Ten Pound Poms' adjusted from the harsh British winter to the austere migrant hostels of 1960s Australia. To mark the 60th anniversary of her own journey, Juliette Hughes recalls the trials and transformations, and the small moments that offered a glimmer of hope for the future.
1-12 out of 74 results.