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Last week Sam Newman said he'd been approached to run for mayor in Melbourne on a 'Donald Trump-like anti-political correctness platform'. The announcement raised an interesting question: where's the Trump, or Sanders for that matter, in the Australian election? Richard Di Natale has articulated a vision of the Greens as 'the natural home of progressive mainstream Australian voters', yet we might equally say that he embraced politics-as-usual just as politics-as-unusual began to manifest everywhere.
That McGuire, eventually, and presumably under pressure from the club's board and a major sponsor, offered what seemed to be a sincere apology, barely diminishes the fact that the comments were made in the first place, compensates for the lack of real repercussions, or excuses the time and effort that was required to get the incident on the agenda at all. Like a good parable, Mustang illuminates the ethical deficit of such a scenario, where women can so readily be bulldozed by powerful male voices.
Across the political spectrum, Australia's major and minor parties are failing to reflect the multicultural Australia of the 21st century. We have fallen far behind similar nations like Canada, who elected 19 Indian-Canadians alone, and ten indigenous parliamentarians, at their last election. Who we elect to our parliament is not just about the gesture, it is also a reflection of where power lies within our society, and whose voices are given the space to be heard to represent the community.
As is the time-honoured tradition of Hollywood PIs, Holland has long bound the wounds of some unresolved grief in alcohol and cynicism. Notwithstanding individual tastes that are by no means aligned with gender, this is the kind of movie that can tend to appeal to puerile male interests while diminishing respect for women. In this regard Shane Black, a mainstream filmmaker who is more self-aware than most, tries to have his cake and eat it too, by both drawing and subverting the objectifying male gaze.
Under election campaign pressure, some names have been misprinted. Mr Malcolm Ternble of Naracoorte wishes to point out that he has not made any public statements on negative gearing and is unsure what negative gearing means. The error was made by a Gen Y subeditor and should have read 'Prime Minister Malcolm Ternbull'. The Foreign Minister was cited as Ms Julia Bishop. The correct nomenclature is Ms Julia Bronwyn. Ms Bronwyn was inaccurately described as a part-time helicopter pilot.
Pope Francis may be interested in better situating women within Church governance and ministry, and there is sufficient theological evidence to readmit women to the order of deacon. Even so, significant curial roadblocks keep him from moving in the obvious direction.
Even if his views and rhetoric are radical, everything else about Sanders is so within our comfort zones that they become more palatable. It's difficult for any progressive to get into power without aligning with powerful groups, whether they be politics, class, culture or gender-based. And Clinton is already disqualified from a club with arguably the most stubborn membership of all - the 'boys club'. For any feminist, it's hard to view the installation of the first female president as anything but progressive.
When questioned about diversity in his films recently, Joel Coen replied: 'You don't sit down and say, "I'm going to write a story that involves four black people, three Jews, and a dog".' The answer is disingenuous at best. Filmmakers choose what stories to tell and how; with a few exceptions, the Coens tell stories about white men. Just as Quentin Tarantino ought to continue discussing the role violence and misogyny play in his films, the Coens should engage meaningfully with questions of diversity.
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