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Many women and children in Pakistan might not be safe within their own houses. They are being forced to be locked in with their abusers, with little to no hope of intervention from authorities or the outside world, as everyone is engaged in fighting with the virus.
We have done a lot right as a nation during the pandemic, but on the whole we have not treated foreigners as well as we might have. The inequality of treatment has been in evidence during the twin health and economic crises brought on by COVID-19.
The arts and entertainment industry requires a sector-specific bailout created in consultation with a broad cross-section of arts professionals that considers measures for both the shut down and rebuilding. The reality is it cannot simply start up again once lockdown measures lift without support.
Most people would agree that certain measures are necessary to both protect those who face the greatest health risks and so that our health systems don’t get overwhelmed. However, these astronomical limitations on civil liberties raise concerns.
I can’t be the only one who has, in recent weeks, found myself reaching for my dog-eared copy of Daniel Defoe’s A Journal of the Plague Year, a fictional re-telling of the 1665 great plague of London.
The opacity of the Australian public service, and its disposition to secrecy, has left journalists in a bind. Leaks constitute the oxygen of the secret state, but publishing that material remains a dangerous affair.
We know that prisons are pressure cooker environments at the best of times. We can’t let them also become sites of mass infection, with potentially grave consequences, during the current COVID-19 health crisis.
193-200 out of 200 results.