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Last year, two documentaries regarding the Adam Goodes booing fiasco were released mere weeks apart: Shark Island Productions’ The Final Quarter and Madman Films’ The Australian Dream, anchored by Stan Grant. Given the topic and timing of both of the films, I couldn’t help but compare the two films as an Aboriginal viewer who spends a lot of time dissecting Australia’s racism in her own analysis. As I watched both of them, my reaction to each was markedly different.
The media serve an important role in keeping people informed in times of disaster and the social media campaigns to spend with businesses in fire-affected communities are having a helpful impact. But the nature, extent and motivation of media coverage of disasters such as the bushfires this summer needs to be considered.
At what point is the media going to realise that the Invasion Day rally, which has been going on in some form or other since 1938, is not going away and, indeed, is growing? I'm convinced the media don't want to report Invasion Day, as reminding the public to fear Indigenous people and our rights has been their practice for centuries now.
Our team of editors have dug through the past ten years' worth of Eureka Street articles to nominate their favourite pieces published between the start of 2010 and today. Check out our list and then jump into the comments to tell us what are your picks of the decade and why.
In Malta, shudders are being felt through the media and political establishment. Prime Minister Joseph Muscat has announced his intention to resign. Other officials are doing the same. Malta's equivalent of the accusing ghost of Banquo is that of the slain journalist Daphne Caruana Galizia, killed by a car bomb in October 2017.
While there is value in pointing out incorrect or inappropriate behaviour, we are also at a point where we are perhaps a little too quick to declare someone or something 'cancelled'. Many problematic depictions have occurred over the years, and we do ourselves no favours by ignoring them or pretending they did not exist.
The media played an important role in getting us to a royal commission. Now, it will play a role in how the RC paves the way for reducing rates of violence, abuse, neglect and exploitation experienced by people with disability. It will also play a role in enabling survivors of trauma to share and start healing from their experiences.
Rather than credit their physiques to intense exercise and diet regimens, celebrities now owe it all to 'wellness'. And you owe it to your health to get on board the wellness express. When it comes to conversations regarding women's health and noncommunicable diseases however, this talk of wellness becomes problematic.
On their own, Eltahawy's words are confronting, yet within the context of her argument, the questions were about flipping the balance of power on its head for a moment. It's not a call to action, but rather a thought exercise. What if men were as scared of violence from women, as women are taught to be of men?
Hi Leunig. I saw that cartoon you made about me. You know the one. There’s a mum looking at her phone and she doesn’t realise her baby's fallen on the ground and it comes with this twee poem about how the baby wishes his mother loved him more. This is awkward. I remember that day well.
Assange's latest court appearance coincided with the launch of the Right to Know campaign, backed by the major press organisations in Australia as well as the Media, Entertainment and Arts Alliance. To its immense credit, the MEAA has consistently defended him. But many prominent Australian journalists have not.
As musician James Blake pointed out regarding Jameela Jamil's contributions to his most recent album, the muse is an objectified woman who is seen to have no direct impact on the creation of the work itself and no creative life of her own, but is merely the source of the male artist's inspiration and a vehicle to project his own desires onto.