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There are more than 200 results, only the first 200 are displayed here.
In an age where social media revels in candid snapshots of daily life, where is the line between what is private, personal, and public? As media columns increasingly hinge on intimate, unabashed tales, some view this as a poignant evolution, while others see a reckless blurring of boundaries. This exploration challenges our understanding of self-disclosure in a world ever-urging us to share.
Simultaneously scientific and evocative, 'Origins' an oratorio by Nicholas Buc, offers a modern songline with the story of creation, evolution, and extinction. As we stand at the precipice of a referendum to recognise the first peoples in our constitution, can this musical piece remind us of the value of the stories that shape our understanding of the universe and our place within it?
It's all very well to remove excess furniture, but furniture is not books. How many chairs does one need? Chairs are not books. To reduce a library as a household expedience is to objectify the books. Their contents are emptied of value, their history relegated to out-of-date. They have no more meaning than books in an Ikea display room. (From 2019)
Can Artificial Intelligence write good poetry? While AI has vast linguistic resources to mimic human poets and creating compelling verse, there remains a distinction between competence and true poetic brilliance, mirroring the broader debate around our relationship with AI, and the very essence of human creativity.
A forgotten, faded poem by Judith Wright, found in a second-hand book, explores the tension between humanity and the rise of computers in the 1960s, artfully questioning the supposedly superior nature of these early machines, reminding us of the enduring value of human experiences and qualities.
Ian McEwan's Lessons marked a sharp twist in a five-decade literary career, and presents an opportunity to reflect on his expansive body of work. The one-time literary rogue and Booker laureate now stands as the unquestioned doyen of modern English fiction, his audacious work perpetually navigating undercurrents of unease.
We pass North Head, that place of isolation, unspoiled silence still where campfire smoke would once have greeted / Arthur Phillip with his claim. We’re on our second drink by now / and some among us pause, imagining a Gadigal / imagining that we’re / the first ship of some Final Fleet / returning whence it came.
They knew secret restaurants where / You had to knock at a little door with a hatch. And they rose each day at six sharp to train / Before striding into glass towers, And one of them, she said, had read Proust / And told her it was ‘great’, Only he (or she) / Pronounced it ‘Prowst’ like Faust / And all his envy turned to air.
The bakery is clean and bright, service cheerful. Mother waits at the counter while her daughter brews coffee. Cooking is done out the back / to fill the cut-back menu / and maintain the family’s dream. The business survives as well as most.
In a world where we are constantly faced with life's fragility, it's no wonder that we find ourselves wondering what lies beyond. Is it the bright promise of immortality, or the endless cycle of birth, life, death, and rebirth? Or perhaps nothingness? When contemplating the 'thereafter,' what can we hope for?
Where the highway of man and the desert intersects there’s a dude on a cross with a crown of spinifex who’s dying in the stifling heat. A mulga lurks below his feet, then slides across the sand alone, condemned to rule a desert throne.
Climate science doesn't make for comfortable reading. As the climate crisis continues to escalate, Dr. Joëlle Gergis, prominent climate scientist and one of Australia's lead authors of the IPCC Sixth Assessment Report, offers readers a unique perspective on the urgent need for mass climate action and why we have reason to hope.
25-36 out of 200 results.