If there are more than 100 matches, only the first 100 are displayed here.
27 January 2016 |
This is one of the angriest films you will ever see. In the Bible we hear about righteous anger, where God or humanity realises something is so wrong and sinful that 'holy anger' is the first and right response. At its best in the scriptures this anger leads to justice, making things right. Spotlight is an occasion for holy, righteous anger and every adult Catholic should see it.
20 January 2016 |
It's less than a year since we lamented the lack of non-white faces among 2015's Oscar nominees. This year the situation is even grimmer, with not one non-white face among 20 nominees for acting awards, despite a raft of clear contenders. It is ironic, because at first glance, concepts of empowerment and inclusion seem to have been at the forefront of Academy members' minds. The theme of bringing marginalised or oppressed groups into the centre, or of restoring power and dignity to vulnerable individuals from whom it has been stripped, run through many of this year's nominated films.
13 January 2016 |
If you're going to apply a blowtorch to an institution as wealthy and litigious as the Church of Scientology, you might best be advised to first apply a magnifying glass. Alex Gibney details the dark side of the movement: its dubious tax-exempt status; allegations of psychological and physical abuse of current members and harassment of former members. But he is equally interested in unpacking the nature of belief in Scientology: what draws people to it, and also what drives them away.
16 December 2015 |
From the drama-filled mind of a pre-teen girl to the homes of former Indonesian death-squad members; from a day in the life of a transgender sex-worker to a grim and sublime new rendition of one of Shakespeare's most famous plays; from one actor's immense ego to another's fading relevance to an allegedly doomed writer's captivating self-effacement, Eureka Street's resident film buff Tim Kroenert revisits the characters and themes of some of the best and most conversation-worthy films of 2015.
09 December 2015 |
The End of the Tour is most compelling as a consideration of the relationship between journalist and subject, which is a strange kind of beast, glorified in the sprawling feature profiles of Rolling Stone and its ilk. At its best the relationship is marked by intimacy generated through dialogue, but at its worst or it is mutually exploitative. Scenes from this year's Amy Schumer press junket revealed how bad things can go when an interviewer thinks they are going to befriend their celebrity interviewee.
02 December 2015 |
Adi was born after the 1965 atrocities, but his older brother Ramli was killed during them. He watches filmed interviews in which the perpetrators laughingly detail Ramli's murder, before going to confront and question them. These encounters are emblematic of a new generation of Indonesian seeking enlightenment from a former generation who find it less painful, or simply more beneficial, to forget. But Adi doesn't seek to humiliate or denigrate. He seeks the seeds of reconciliation in shared humanity.
18 November 2015 |
Following its whitewashing of 'wife-beater' Ant-Man and the Black Widow slut-shaming debacle, Marvel has a long way to go to show it is not one big boys club. Alias, basis of the new series Jessica Jones, is one example of a modern day Marvel comic that, in the words of pop culture critic Roz Kaveney, offers a 'rebuke to the convenient pieties of the comic book', by proving that comics can be thematically rich, and can take serious issues — such as the physical and sexual abuse of women by men — seriously.
11 November 2015 |
Against the backdrop of the crash of the US housing market, we linger on the lurid details of families' removal from the brick boxes that have been their homes for decades. We can only watch as they cycle through stages of denial, bargaining, fury and grief. These are well meaning people who have innocently fallen foul of a system that deals in laws and dollars, not humanity. It is a system so corrupt it turns the exploited into exploiters; where its desperate victims embrace corruption in turn as a means of survival.
05 November 2015 |
Pakistani teenager Malala Yousafzai came to international prominence in 2012 after being shot in the head by a Taliban gunman, for her advocacy for girls' education. He Named Me Malala ponders whether her father shares indirect responsibility for the shooting, as he encouraged her advocacy. The question of exploitation is relevant whenever a child enters the public gaze, but here it threatens to undermine Malala's own agency, as a young woman who can think, speak and act powerfully on her own behalf.
28 October 2015 |
The Loners are not merely hapless prey, but represent a kind of ideological resistance. They enforce singleness as brutally as The Hotel does couplehood, and a night-time raid on The Hotel has strong overtones of terrorism. It's another layer to Lanthimos' kaleidoscopic allegory — a commentary on radicalisation, with this brutal underground existing as a direct result of the oppression enacted within an equally brutal mainstream. They are two faces of the same violence.
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