MEDIA

Section: MEDIA

If there are more than 100 matches, only the first 100 are displayed here.

  • MEDIA

    My mother's last Christmas

    • Catherine Marshall
    • 17 December 2015
    4 Comments

    On her last Christmas, my mother produced a Christmas dinner for 14 people on an ancient anthracite stove in the kitchen of the farmhouse I'd recently moved to. Nothing could distract her from the preparation of this Christmas lunch on a stove that was built last century - except for the pain that had been growing for some months just beneath her ribs. As she stirred the stock and pressed cloves into the ham I saw a wave of discomfort wash over her. It was uncharacteristic and unnerving.

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  • MEDIA

    Australian film industry boys club needs redressing

    • Rochelle Siemienowicz
    • 22 November 2015
    10 Comments

    The success of the Australian comedy The Dressmaker is thrilling to those watching the local film industry. There's more to cheer in the fact the film is proudly female in both story and production. We're not as bad as Hollywood, but even in Australia, there are not enough films for women, about women and by women. Since the 1970s male directors have been responsible for more than 85 per cent of the feature films made. Why does it matter? Because women are more likely to tell stories about women.

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  • MEDIA

    My trip down the grubby tabloid rabbit hole

    • Catherine Marshall
    • 19 November 2015
    3 Comments

    The best thing I ever did was give up reading the Mail Online. I'd log on at the end of a long day for a dose of what I thought was harmless, digestible fun. But it wasn't long before this mental junk food started to bloat my mind. When Jennifer Garner and Halle Berry appeared before a committee at Sacramento's state assembly to press for the introduction of laws aimed at protecting children from the paparazzi, I realised I was engaging in a despicable act: the consumption of other people's private stories.

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  • MEDIA

    A fascist by any other name

    • Jeff Sparrow
    • 16 November 2015
    15 Comments

    In journalism, 'he said, she said' often functions as an evasion. Reporters' loyalty should be to accuracy, which isn't about compromise between extremes. When denialists and climate scientists take diametrically opposed stances, the truth doesn't lie somewhere in the middle. Sometimes, one side's right and the other's just wrong. The same can be said of reporting about the rightwing United Patriots Front. While they deny being fascists, that's what they are, and that's what we should call them.

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  • MEDIA

    Images the catalyst for action but not change

    • Ellena Savage
    • 10 September 2015

    There are few activities more unsettling than viewing the bodies of deceased children. But I'm not convinced that visual tokens of suffering, shared within safe, affluent settings, change much. A photo can suggest that a woman is abused by her partner and motivate people to donate money to a charity. But it won't make anybody voluntarily give up the privilege that fostered the pain.

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  • MEDIA

    Ashley Madison leak exposes a prurient and uncaring society

    • Jeff Sparrow
    • 25 August 2015
    15 Comments

    The media has greeted the infidelity website leak with unabashed glee. We could instead ask why so many ordinary people are seemingly so discontented with their marriages, and what might be done to alleviate the wretchedness both of those who cheat and those who don't.

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  • MEDIA

    Don't be a Twitter twit

    • Amy Clarke
    • 03 May 2015
    12 Comments

    Just because you can legally say something, doesn't mean you should — or that it is professionally responsible to do so. As SBS presenter Scott McIntyre discovered when he was sacked for his controversial tweets about Anzac Day, the internet can sometimes be a treacherous place to test the boundaries of 'acceptable' free speech. McIntyre learned this lesson the hard way, and he is hardly the first to do so.

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  • MEDIA

    Why Selma needs no Oscars

    • Fatima Measham
    • 19 February 2015
    13 Comments

    It is hard to escape the impression that even in 2015 the only black characters that the American film industry can reward are maids, slaves or dysfunctional urban archetypes, in stories where there is an identifiable white saviour. Any triumphs are of the spirit, of personal fortitude, nothing that compels social responsibility, invokes political will or even a sense of historical reckoning.

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  • MEDIA

    Death of a disability dynamo

    • Fatima Measham
    • 07 December 2014
    6 Comments

    Death loses its abstraction when a person like Stella Young dies. It becomes material. It makes itself manifest in the silence, which it somehow solidifies: the unwritten word, the unspoken retort, the unmade joke. 'Disability doesn't make you exceptional,' she told a TED audience in Sydney last April. 'But questioning what you think you know about it does.' Stella flipped what we thought we knew about many things.

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  • MEDIA

    Practical magic

    • Megan Graham
    • 27 August 2014
    3 Comments

    While we are all afraid of the unknown, complete certainty and predictability do not make for a vibrant life. Magic in the Moonlight is a film about the lens through which one chooses to see the world. Cynicism or wonder? Mayhem or magic? It poses the question: Which way brings more joy?

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  • MEDIA

    Homes that enable the disabled

    • Andrea McQueen
    • 26 August 2014
    10 Comments

    In recent years, people with disabilities have been coming out of institutions. They are in our streets, our shops and our schools, but not on TV. We need programs like the ABC's Dreamhouse to prompt conversation about what kinds of lives are possible for people with disabilities, and how we can best use our tax money to make dreams come true.

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  • MEDIA

    Multimillionaire's self-indulgent science

    • Megan Graham
    • 20 August 2014
    2 Comments

    In Deepsea Challenge, James Cameron admits that, having desired it since he was a kid, his film Titanic was basically the excuse he needed to explore the depths of the ocean. The documentary feels like Cameron meets 'Make A Wish Foundation' with the audience acting as the benevolent donors.  

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