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21 August 2013 |
Frances and Sophie had been virtually co-dependent; a celibate lesbian couple, they'd joke. But with a new circle of friends and a new fiancé, Sophie is quickly outgrowing Frances, and this throws Frances into disarray. She approaches life with wide-eyed wonder, and tries to maintain the wonder no matter what life throws at her. But endless optimism can be wearying work.
14 August 2013 |
As social commentary Elysium clearly has in mind any country that receives 'unwanted' arrivals of refugees. But it seems particularly timely in Australia, where the political response to asylum seekers who arrive by boat is simply to stop them. The response by the fictional bureaucrat Delacourt, to blow the smugglers' ships out of the air before they reach Elysium, certainly takes the 'stop the boats' mentality to its extreme.
08 August 2013 |
Monet, in a period of deep grief and loss, made what was in his career a rare decision: to paint other people. The artist forgot himself in contemplating the faces of his wife and his son, in depicting the faces of death and of incomprehension. We need icons like this — icons of incomprehension, reminders of the fragile self that, behind its virtual armour, is beset by doubt and demons.
07 August 2013 |
'God didn't give me these talents and looks to just sit around being a model or being famous. I want to lead a huge charity organisation. I want to lead a country, for all I know.' In 2008–2009 a group of teenagers stole $3 million of jewellery and clothes from the homes of Paris Hilton, Lindsay Lohan and other Hollywood stars. Coppola portrays this as an outcome of materialism centred on celebrity worship.
31 July 2013 |
On 1 January 2009, police in Oakland, California shot dead an unarmed African-American man, 22-year-old Oscar Grant. The event sparked riots, and renewed tensions around race and debates about police procedure. Underlying this politicised context is the story of a young father and former drug dealer who was trying, with mixed success, to turn his life around.
25 July 2013 |
Barry Gittins and Jen Vuk
What we have here is a memoir of a woman wronged. And by that I don't mean our former PM. Well, not exclusively, anyway. Journalist Kerry-Anne Walsh may deny either a relationship with Gillard or an outright allegiance, but they're connected where it counts: at the heart of injustice. Both have been let down by a party that has seen much, much better days.
24 July 2013 |
Many Australians feel ownership of Nguyen's story, who was executed for drug trafficking in Singapore in 2005. Khoa Do more than most Australian filmmakers has the moral authority to tell that story without being accused of exploitation. Yet it is hard not to sympathise with the objections of Nguyen's family to Do's SBS new miniseries. Which mother would want public property made of her private grief?
17 July 2013 |
Jesse and Celine head out to enjoy a final night in Greece. In conversation, the fray and fineness of their relationship are revealed. Discussions of philosophy and art illuminate ways in which their individual worldviews impact on their lived reality. They land in a hotel, where the conversation goes from intimate, to pragmatic, to something akin to exorcism.
10 July 2013 |
The sense of God as absent is almost suffocating, but is relieved by the hope that if God is absent from buildings and institutions he may be present 'outside' and in relationships. Father Quintana comes into his own when he comes into contact with the needs of ordinary people, as he prays in voiceover 'Christ before me … behind me' and so on.
03 July 2013 |
'Those who can't do, teach,' declares the unkind truism. Germain is the proverbial failed writer turned English teacher, who has grown jaded and cynical to the point of sociopathy. Education, like art, should enhance humanity, not diminish it — Germain's ultimate failure as a teacher is in neglecting his students' human reality.
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