ARTS AND CULTURE
If there are more than 100 matches, only the first 100 are displayed here.
04 April 2016 |
The breeze spills, engulfing gorges, ruffling trees. The leaves whisper ancestral stories, signalling from hill to hill creation mysteries. The track wends past abandoned tennis courts, their turf is crushed, compacted anthills that salmon gums reclaim. The creek is waterless but when seeded with rain froglets bleat like lambs. Once trees flaming orange were common ... the granite, grey with age, once barren, yet when Earth trembled, it crevassed and soil collected, water funnelled, plants sowed.
03 April 2016 |
His mum was the kind who baked more than one pie at a time and gave the extra pies away easily and casually. All I knew about her was the pies, because my friend brought in pies for birthdays and teachers' anniversaries and raffles and such at school. My friend said she was too cheerful, a remark I didn't understand. He said she was a different person after his dad died, but who wouldn't be after your spouse died at the kitchen table and got coffee all over the business section of the newspaper?
30 March 2016 |
If Peedom was expecting to find signs of a growing sense of self-agency behind the docile facade of the legendary 'Smiling Sherpa', she couldn't have predicted a rawer or more tragic scenario against which it would play out. Predictably the turn of events does not sit will with the Western climbers and tour operators, who feel that the outlay of time and money, not to mention the 'bucket-list' imperative to conquer the peak, entitle them to proceed. Polite facades peel away to reveal ugly attitudes.
23 March 2016 |
With more than 30 dead in Brussels just a few short months after the horrors in Paris, the Western world again confronts an assailant in ISIS who deals in fear and bloodshed. In contemplating our responses to such attacks we recognise the historical and current geopolitical realities that have bred the ideologies that fuel them. This messiness is the stuff of a new British film that arrives in Australia this week, which explores the plight of those who might be 'collateral damage' in the hyper-technological 'war on terror'.
21 March 2016 |
Bill Rush, Marlene Marburg, Maureen O'Brien, John Cranmer
To be fair, he wasn't a leaner, he was one of the lifters. Helped to keep the country running, so to speak, and speak he did often, on many topics. He was a leader, and felt justified when others, in the region, followed his lead. It wasn't that he didn't see Lazarus, but more that he saw him differently. Break the rules, help one starving beggar and before you know it there will be a flood of them on your door step. That's how he argued and plenty agreed. Judgement day was a long way off.
20 March 2016 |
David Ishaya Osu
My elder sister was negotiating with a mobile seller of wears, and a neighbour, fondly called Mama Daniel, interfered, asking the seller not to sell to my sister, Elizabeth. And my sister pounced on the 40-something-year-old woman. They exchanged blows on their bodies. And my sister, who was more muscular and raging, grabbed the woman's wrapper and opened her secret. This is where everything ended and began, simple and complicated. Elizabeth has been a psychiatric patient since 2006.
15 March 2016 |
It was a bright winter's day when we visited Iphigenia. Long widowed, she was meticulously turned out in black traditional outfit. Iphigenia is not sure how old she is; she thinks she is 86. Anglophones regularly make a hash of this beautiful name, the correct pronunciation of which is Ifeeyainya. But the ones I know are intrigued by the mythological character, who was ill-fated, to say the least. I soon learned that there had also been ample sorrow and trauma in the life of the modern Iphigenia, too.
09 March 2016 |
When questioned about diversity in his films recently, Joel Coen replied: 'You don't sit down and say, "I'm going to write a story that involves four black people, three Jews, and a dog".' The answer is disingenuous at best. Filmmakers choose what stories to tell and how; with a few exceptions, the Coens tell stories about white men. Just as Quentin Tarantino ought to continue discussing the role violence and misogyny play in his films, the Coens should engage meaningfully with questions of diversity.
08 March 2016 |
The tall man had worked for the Brotherhood of Saint Laurence for years, and long ago had lost any illusions about the overarching nobility of people who were hammered and lost and helpless against addictions, diseases, crisis and tragedy. I asked him about the most wonderful people he'd met, and he told me some amazing stories, and then I asked him about the worst, and he told me some horrifying stories, and then his face twisted and he told me about the worst of the worst.
07 March 2016 |
I've run out of dope. This is my last ever toke of synthetic pot, I hope. There's synthetic people, but my heart drops like a coin into a homeless man's hat. The eternal night isn't very maternal. Of all those people sleeping on a concrete mattress under a black sky doona ... The homeless have faces like empty spaces. No solution to their heads in the pollution, and their feet in the gutter. The poor gather on the banks of the flowing street. The rain hits the roof in pain.
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