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23 April 2014 |
As a stretcher bearer, he tended to two landmine victims, including one who had lost his leg. He spent the night darting between the two men, providing physical aid, and whatever comfort and assurance was possible. Turns out he was lucky that he didn't end up laid out alongside them: the next morning he discovered that the entire narrow ridge was riddled with mines. 'That was fairly close,' he admitted. It was an understatement.
16 April 2014 |
Closeted gay lawyer Paul operates under a well-founded fear that his sexuality will imperil his career. He and his partner, drag queen Rudy, find that their status as a gay couple is used against them as they fight to retain custody of Marco, an abandoned teen with Down syndrome. This is a story marked by grave injustice, though we are expected to accept on face value that Marco will be better off with Rudy and Paul than in foster care.
10 April 2014 |
Barry Gittins and Jen Vuk
Journalist Masha Gessen describes the members of Pussy Riot as 'Putin's ideal enemies'. In recent months, their nemesis has hosted the Olympics, taken control of Crimea and clamped down on media. For a group born out of 'the repressions of a corporate political system that directs its power against basic human rights', Pussy Riot still has much to roar about, even if its signature 'punk prayer' sounds more than ever like a plea.
09 April 2014 |
Sex addicted woman Joe's story is marked by innumerable sexual encounters with random men. Often it is explicit, and thoroughly unpleasant. It culminates in a pointed statement about societal double standards regarding gender and sex. By contrast, Carol's story about trying to get ahead in a man's world is affirming and uplifting at every turn. Both stories are about women and power, but ultimately Carol's is the more empowering.
02 April 2014 |
An intriguing insight into the North Korean film industry, whose strangely beautiful films have been used to obfuscate serious human rights abuses. Offbeat documentarian Broinowski acknowledges this fact too lightly, approaching her subjects simply as humans, who are part but by no means the sum of a much larger corrupt system. She learns the tricks of their trade, looking for clues about how she might shut down a gas mine to be built near her inner-Sydney home.
26 March 2014 |
Wadjda is innately political. It is the first feature shot entirely in Saudi Arabia and the first to be made by a female Saudi director, and concerns itself with the pressures women experience in this rigidly patriarchal society. But it is primarily a film not about politics but about humanity. Its characters find self-empowerment and connection not in rabble-rousing but in small acts of rebellion against oppressive social norms.
19 March 2014 |
A new film follows the experiences in 1961 of German-American Jew and political theorist Hannah Arendt, who coined the phrase 'the banality of evil' in relation to Nazi 'desk-murderer' Adolf Eichmann. The cerebral nature of Hannah Arendt provides a counterpoint to another current film about a strong, flawed woman: Gloria is remarkable for the way it unabashedly honours the emotional and sexual lives of its older characters.
13 March 2014 |
Barry Gittins and Jen Vuk
Moira, her kids Zara and Rory, her partner Shane and his brother Midge are the kind of people you wouldn't think to look twice at. Living on welfare and on the constant lookout for abandoned houses to either live in or raid, they're known colloquially as 'trants' (short for itinerants). These otherwise overlooked and forgotten people might be parochial, but they're never parodied. They might be uneducated, but they have a voice.
12 March 2014 |
'If you destroy their history, you destroy their achievements and it's as if they never existed,' implores art scholar Frank Stokes. He subsequently leads a team of academics and artisans into World War II Germany on a mission to rescue important works of art from the Nazis. Great art possesses the power to move and inspire, and to document and critique a culture. But is the deadly mission worth the risk to life?
11 March 2014 |
Soprano Deborah Cheetham was in her 30s when she was reunited with her birth mother. It was the beginning of her understanding of herself as a Yorta Yorta woman and member of the Stolen Generations. At the time she was in the throes of composing her opera, Pecan Summer, based on the 1939 protests by Aboriginals from the Cummeragunja Mission. She soon learned that the story was closer to her than she had realised.
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