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03 July 2014 |
This was akin to reading a carefully vetted resume. An intelligent and formidable first lady, senator and Secretary of State, and no shrinking violet, the author presents a largely passionless, desiccated record. There's the odd poignant reflection. Absurd depictions of Mel Brooksian secure rooms (and the reading of documents with a blanket over her head in non-secure rooms). But, overall, Clinton draws pictures without drawing blood.
02 July 2014 |
Ensconced in the anonymity of the confessional, a man who suffered injustice at the hands of the Church informs the priest, Fr Lavelle, that he plans to kill him. The killer's reason for wanting to inflict violence is that he was, as a child, a victim of abuse that went unpunished. Lavelle is not respected by his parishioners, despite the centrality of the Church to their community. Amid the ruins left by the abuse crisis he carries little moral authority.
25 June 2014 |
When it comes to symbols of destruction and renewal, few are more potent than bushfires. That is particularly true in the Australian context. Galore's poignant coming-of-age story unfolds in the weeks prior to the 2003 Canberra bushfires. It is, in part, a rumination on adolescent self-centredness: its inevitability and inadequacy as a shield protecting the vulnerable, budding self from the flames of experience.
18 June 2014 |
Mental illness is no laughing matter. Except when it is. Frank is a musical genius, who spends his life with his face concealed inside a comically oversized head. His bandmates are in awe of him, especially starry-eyed keyboard player Jon, who in his naivety envies Frank's illness and the strange creativity that it entails. Things turn ugly when one member of the ensemble commits suicide during the recording of the band's debut album.
11 June 2014 |
Augustus and Hazel meet in a support group for cancer sufferers. During the course of their ensuing romance they both prove to be pragmatic about their own mortality. They share frank discussions about God and the afterlife, and gain little comfort from them. It's an inherently sad story, but to parallel the individual horror of their cancer with the experiences of Anne Frank during the Holocaust is a step to far.
09 June 2014 |
Rumours of his death are greatly exaggerated, but Clive James has since 2010 made a public art of dying. It is in this intense moment of re-evaluation of life that we read his translation of Dante's Divine Comedy. Possibly no great poem is so immersed in the connections between our life here and now with life after death. It's striking that an avowed atheist produces the best poetry in Paradiso.
05 June 2014 |
Barry Gittins and Jen Vuk
When journalist and activist Barbara Ehrenreich was a young woman she came face to face 'with something vast, terrifying and unknowable'. We mustn't take for granted the courage this admission took coming from such a committed atheist. While noting science can 'dismiss anomalous 'mystical' experiences', she wrestles her discontent into submission by boldly declaring that it 'is not unscientific to search for what may not be there'.
04 June 2014 |
In 2002 US Cycling Hall of Famer Jock Boyer was convicted of lewd behaviour with a minor and served time in prison. Today he is the coach of Team Rwanda, a team for Rwandan cyclists, associated with aid organisation Project Rwanda. In Rising From Ashes, the traumatic experiences of his team members, all of whom were living witnesses to the 1994 genocide and lost family members to it, are footnotes to Boyer's redemption story.
28 May 2014 |
The succubus of medieval legend is a female demonic being, sexual intercourse with whom can result in sickness or death. This resonates uneasily with the attitudes of contemporary 'men's rights' movements who view women as social and sexual aggressors. The greatest irony confronting the 'succubus' of Under the Skin is that the femaleness that she had wielded as a weapon proves also to be what marks her out as a victim.
21 May 2014 |
Given last week's unequivocal iteration of the dire state of Australian politics, perhaps we've earned the right to a bit of escapism. The Secret Life of Walter Mitty proves adept at turning the warm-and-fuzzies up to 11. Still there's no escaping the sense that Walter's ability to jet around the world in order to find himself is implicitly an expression of affluent, white male privilege.
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