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Timely liberation

03 September 2014 | Anthony Morris

Scene from Richard Linklater's film BoyhoodWhile not everything always turns out for the best in Boyhood, the stakes aren't high in any traditional sense. Instead, time gains power from its sheer passage on the screen. For Mason, the central character, it is a liberation. 

Bogan Jesus

28 August 2014 | Barry Gittins and Jen Vuk

The Songs of Jesse Adams coverCasting Christ as a bogan will rub theological feathers awry; a larger linguistic burden for many readers, however, is the unrelenting Strine and hoary cultural references. High art? No. Engaging? Highly. Jesse Adams is on about peace; an inclusive peace that includes social outcasts.

The shock of the news of Kennedy and Nixon

14 August 2014 | Brian Matthews

Nixon resignation speechLast week, when I heard a Margaret Throsby interview with Nixon's White House Counsel John Dean, I immediately remembered in startling detail where I was forty years ago. It was high summer, a beautiful warm day in Oxford. I was strolling along the banks of the Thames through a leafy camping ground; a voice, tragic yet culpable, retrieved from an unseen radio on 8 August 1974 in another country.

The beauty of hard-won hope

06 August 2014 | Megan Graham

Movie Begin Again publicity photo

Broken and bruised by their respective journeys, Gretta and Dan seize the chance for solidarity. For both, their sense of compassion and resilience allows them to navigate a cold and indifferent New York City that threatens to swallow them whole. They use the creation of music as a mirror to reflect back a version of themselves – and NYC – that they can love. 

Japanese pilgrim enters the void

31 July 2014 | Barry Gittins and Jen Vuk

Colourless Tsukuru Tazaki and His Years of Pilgrimage, by Haruki MurakamiIn his native Japan, the name Haruki Murakami has immense currency. In the first week of its release his latest novel Colourless Tsukuru Tazaki and His Years of Pilgrimage sold more than one million copies. Coming from a traditional culture where assimilation and social order has been a historical imperative, perhaps the book's themes go beyond the intimate to acknowledge the soul-eating, conformist nature of society.

How to trap a terrorist

30 July 2014 | Tim Kroenert

Philip Seymour Hoffman and Rachel McAdamsThe German port city of Hamburg was the place where Mohammed Atta and his collaborators planned the September 11 attacks. A sense of hyper-vigilance stems from this fatal embarrassment and pervades the current events. Betrayal is weighed against betrayal, and ethics and morality are calculated using the sliding scale of a greater good that is dubbed, not without irony, as 'making the world a safer place'. But safer for whom?

Loner's gifts to the lonely dead

23 July 2014 | Tim Kroenert

Eddie Marsan lying on the grassSome years ago my then next-door neighbour attempted suicide. Had it not been for the fortuitous arrival of his teenage son, and the heroic actions of another neighbour, the incident would have had a tragic outcome. For an individual to die alone at home amid the crowd of suburbia is one of the sadder, and sadly common, scenarios of modern Western existence. Italian-born British filmmaker Pasolini explores this phenomenon in Still Life.

Abbott and co. working from Orwell's playbook

17 July 2014 | Brian Matthews

Orwell's 1984Life in Orwell's Airstrip One is graceless, demeaning and inhumane for all but those entitled to preferment. Surveillance is increasing, ruling-party secrecy and monopoly on information is rigid, refugees are demonised and language is reduced to sound bites and slogans. The leadership is disjoined from and cynical about the natural world. Just as well it's fiction because it sounds awful doesn't it?

Film compounds real life drugs tragedy

1 Comment
16 July 2014 | Tim Kroenert

Still from 'All This Mayhem'Ben and Tas Pappas, from Melbourne’s working-class north, take the skating world by storm in the 1990s. This film doesn’t skimp on the drugs-and-sex-addled reality in which they found themselves, fuelled by massive sponsorship dollars and the anarchic skating culture. But this is not the film's greatest tragedy. 

The devastated face of Aboriginal disempowerment

09 July 2014 | Tim Kroenert

David Gulpilil as CharlieCharlie is disempowered, but not powerless, not yet. He has quit smoking, and ritualistically burns cigarettes he bums from a younger man in the community. He'd prefer to hunt and forage rather than consume the 'whitefella junk' peddled at the local kiosk, though his emaciated body and persistent cough reveal that he has already suffered much from the 'poisons' introduced to Aboriginal culture since the arrival of Europeans.

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