If there are more than 100 matches, only the first 100 are displayed here.
06 August 2014 |
Broken and bruised by their respective journeys, Gretta and Dan seize the chance for solidarity. For both, their sense of compassion and resilience allows them to navigate a cold and indifferent New York City that threatens to swallow them whole. They use the creation of music as a mirror to reflect back a version of themselves – and NYC – that they can love.
31 July 2014 |
Barry Gittins and Jen Vuk
In his native Japan, the name Haruki Murakami has immense currency. In the first week of its release his latest novel Colourless Tsukuru Tazaki and His Years of Pilgrimage sold more than one million copies. Coming from a traditional culture where assimilation and social order has been a historical imperative, perhaps the book's themes go beyond the intimate to acknowledge the soul-eating, conformist nature of society.
30 July 2014 |
The German port city of Hamburg was the place where Mohammed Atta and his collaborators planned the September 11 attacks. A sense of hyper-vigilance stems from this fatal embarrassment and pervades the current events. Betrayal is weighed against betrayal, and ethics and morality are calculated using the sliding scale of a greater good that is dubbed, not without irony, as 'making the world a safer place'. But safer for whom?
23 July 2014 |
Some years ago my then next-door neighbour attempted suicide. Had it not been for the fortuitous arrival of his teenage son, and the heroic actions of another neighbour, the incident would have had a tragic outcome. For an individual to die alone at home amid the crowd of suburbia is one of the sadder, and sadly common, scenarios of modern Western existence. Italian-born British filmmaker Pasolini explores this phenomenon in Still Life.
17 July 2014 |
Life in Orwell's Airstrip One is graceless, demeaning and inhumane for all but those entitled to preferment. Surveillance is increasing, ruling-party secrecy and monopoly on information is rigid, refugees are demonised and language is reduced to sound bites and slogans. The leadership is disjoined from and cynical about the natural world. Just as well it's fiction because it sounds awful doesn't it?
16 July 2014 |
Ben and Tas Pappas, from Melbourne’s working-class north, take the skating world by storm in the 1990s. This film doesn’t skimp on the drugs-and-sex-addled reality in which they found themselves, fuelled by massive sponsorship dollars and the anarchic skating culture. But this is not the film's greatest tragedy.
09 July 2014 |
Charlie is disempowered, but not powerless, not yet. He has quit smoking, and ritualistically burns cigarettes he bums from a younger man in the community. He'd prefer to hunt and forage rather than consume the 'whitefella junk' peddled at the local kiosk, though his emaciated body and persistent cough reveal that he has already suffered much from the 'poisons' introduced to Aboriginal culture since the arrival of Europeans.
03 July 2014 |
This was akin to reading a carefully vetted resume. An intelligent and formidable first lady, senator and Secretary of State, and no shrinking violet, the author presents a largely passionless, desiccated record. There's the odd poignant reflection. Absurd depictions of Mel Brooksian secure rooms (and the reading of documents with a blanket over her head in non-secure rooms). But, overall, Clinton draws pictures without drawing blood.
02 July 2014 |
Ensconced in the anonymity of the confessional, a man who suffered injustice at the hands of the Church informs the priest, Fr Lavelle, that he plans to kill him. The killer's reason for wanting to inflict violence is that he was, as a child, a victim of abuse that went unpunished. Lavelle is not respected by his parishioners, despite the centrality of the Church to their community. Amid the ruins left by the abuse crisis he carries little moral authority.
25 June 2014 |
When it comes to symbols of destruction and renewal, few are more potent than bushfires. That is particularly true in the Australian context. Galore's poignant coming-of-age story unfolds in the weeks prior to the 2003 Canberra bushfires. It is, in part, a rumination on adolescent self-centredness: its inevitability and inadequacy as a shield protecting the vulnerable, budding self from the flames of experience.
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