ARTS AND CULTURE
If there are more than 100 matches, only the first 100 are displayed here.
07 September 2016 |
Don't mistake this for an idyll. Incongruently, the youngest child has built a bone shrine to Pol Pot. The father oversees a rigorous physical exercise regime; later he will boast that they have the fitness levels of elite athletes. Yet during a rock climbing expedition, Ben is unsympathetic when one of them injures himself, insisting the boy draw on his personal resources to extricate himself from very real peril.
05 September 2016 |
I put in my journal: 'a full moon tonight, crisp and splendidly clear for our walk around the shore and back to the resort' ... What did the Israeli professor remark? 'It bodes well on Hoshana Rabbah that we are casting shadows in moonlight.' Though our Chinese friend had little to say following this evening's lecture, he was right about the yellow plum at the bottom of the lake.
31 August 2016 |
There are hints of darkness behind the laughs. We learn Brent spent time in an institution some time after the original 'documentary' aired. He is shunned by his band members, who see themselves as reluctant employees rather than friends. What emerges is a rather affecting portrait of a man whose self-identity is at total odds with reality, and threatening to come crashing disastrously down.
29 August 2016 |
An addict shows me his rack of ribs, he's off to the slaughter house. An addict rubs his face like a brushed potato. The addict searches through bins looking for scraps of himself and his whims. An addict lives in a room at the weaver's loom, peddling his stories and drugs.
24 August 2016 |
War Dogs is the latest in a string of films from the past few years that are custom made for our cynical times; deeply ironic black comedies and dramas featuring antiheroes who profit to the point of excess off the misery of others. Where those films dealt with the finance industry and gained relevance from the backdrop of the Global Financial Crisis, this one shifts focus to the grimier world of arms dealing, in the context of Bush era conflict in Iraq and Afghanistan.
22 August 2016 |
What's he doing in my dream, that cardinal from Ballarat? He's in some sort of seventies presbytery or hardwood hall, shirt-sleeved but with collar on and playing ping-pong like a pro, fully-focused, yet relaxed. Forehand, backhand, lob or smash, nothing is beyond his reach. The other player is unseen but plainly worthy of attack. There's just the click of celluloid foreshadowing the rise to Rome. No ball hit that's not hit back.
21 August 2016 |
When we were all younger, I wrote about my three sons. In the words of Sir Thomas More, their characteristics strangely tugged at my heart, and like More, I fed them cake, ripe apples and fancy pears. Among other things. But eventually there was a mild rebellion about the writing, in the course of which my eldest threatened to send me a bill. Now I write about my grandchildren, three boys and a girl, who are too young as yet to be so commercially minded.
18 August 2016 |
The film's quiet humour leaves open many spaces for reflection on getting older, and on mortality. Tomas is uncomfortable with the subject of death, but Julian is determined to confront it with honesty and dignity. His activities during those four short days reveal he possesses a well formed conception of his own humanity and mortality that is not short of admirable. We are as sympathetic to Paula raging against her cousin's resignation, as we are to Tomas' growing acceptance.
15 August 2016 |
Isabella Fels, Peter Gebhardt
Is she 2 or 102? She can be either. My grandmother sometimes she looks at me in silence with wide naïve eyes. Other times pearls of wisdom seep from her heart: 'Forgive and forget my sweetheart Isabella. Chocolate is your enemy. A good salad is your friend my precious Isabella. Don't do unto others what you don't want done to you my cherished Isabella.' I hold her warm hand. She understands me. She completes me, now that my mother her daughter has left us behind.
11 August 2016 |
There's a bagel character, coded as Jewish, and a lavash (Armenian flatbread), coded as Palestinian, who clash because they have to share an aisle. 'Isn't the aisle big enough for both of you?' asks Frank. In this and other ways the film points to the destructive power of religious belief corrupted by self- or socio-political interest. On the other hand it ignores the role religion can play in developing robust ethical thinking about the ways in which we can interact meaningfully with others and the world.
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